Lekazia Turner, embroiderer from Jamaica, 2022
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CALICO dress NO. 4


Fuller Craft Museum, Brockton, Massachusetts, USA / 2024

Commissioned by the Fuller Craft Museum and created by the local Brockton community, led by Denise De More and the Mayflower Sampler Guild.

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Following exhibitions of The Red Dress at the Southern Vermont Arts Center and The Frick Pittsburgh during 2023-2024 and the accompanying ‘sister dresses’ made by local communities, the exhibition of The Red Dress at the Fuller Craft Museum in Spring 2024 also saw the creation of a collaborative garment.

Featuring myriad techniques, colours and designs and diverse stories to match, Calico Dress No. 4 was worked on by over 200 hundred participants from the local community. Following the three-month exhibition of The Red Dress curated by Beth McLaughlin it was unveiled alongside Calico Dress No. 2 and No. 3 in a moving closing event.

Exhibition venues are able to request either an assembled calico dress or one in 11 separate parts. The Mayflower Sampler Guild was instrumental in leading the creation of Calico Dress No. 4, with individual panels stitched onto by contributors before the completed garment was displayed at the Fuller Craft Museum.

https://fullercraft.org/exhibitions/the-red-dress/



OUR SUPPORTERS

A huge thank you to all who have given their time, energy, enthusiasm, advice, experience and support to The Red Dress project over the years.

In addition to the organisations below, funding has been gratefully received from a number of private donations and via three crowdfunding campaigns in 2020, 2022 and 2024.

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Nothing expresses more eloquently the feelings I suspect we share about the importance of embroidery in our lives, and the support we derive from the friendships made through stitch, than Kirstie Macleod’s Red Dress.
Caroline Zoob, Editor of Stitchers Journal 2022
This beautiful object highlights the common ground between individuals, bringing together different identities and uniting people, we are honoured to contribute to it.
Tiny Kox, PACE President at the Council of Europe, Strasbourg 2023
The Red Dress has become an icon of the international textile world.
Suzanne Smith, Textile Society 2022
The Red Dress in its final incarnation, a magnificent, regal robe, symbolises the empowerment of women through the creation of something beautiful, something which began with bowed heads and tired fingers but also with faith and joy, an openness and willingness to be a part of something which they could not see at that time but in which they could believe had meaning and worth connecting with other women around the world.
Lady Alison Myners, Chair of the Royal Academy Trust 2020
The Red Dress is in some respects similar to Mail Art, the populist artistic movement centred on sending small scale works through the postal service. It initially developed out of the Fluxus movement in the 1950s and 60s – but on a larger scale – the journey of the work is part of its identity, process, and in fact function. A signifier of the temporal and physical nature of the process inherent in the creation of the piece. The surface of the dress layered with embroidery slowly transforming into a specific topographical map – completely particular to the work’s journey – and reflective of the burgeoning sculptural landscape of the object.
Paul Black, Artlyst 2015
It’s her (Kirstie’s) red silk Dupion bodice and voluminous skirt created for the Red Dress that fully demonstrates her commitment to embroidery and the immense respect for the international community of makers.
Denna Jones. Embroidery Magazine 2010
...the fact that they could embroider what they wanted and that it is appreciated has given them some strength, some confidence that I didn’t feel so strongly before they created the embroideries.
Nicole Esselan, Founder of Kisany Africa, supporting artisans in DR CONGO and RWANDA who created embroidery on the Red Dress in 2018
This is both an extraordinary work of collective art and profound and eloquent social commentary. It is also an example of how potent the Attire language is capable of becoming.
Attires Mind (Fashion Blogger) 2020
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