Lekazia Turner, embroiderer from Jamaica, 2022
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ABOUT KIRSTIE macleod

THE CREATOR OF THE RED DRESS project
Kirstie Macleod has been an artist for over 20 years, and for the last 17, she has dedicated herself to The Red Dress - a global tapestry of connection and expression. What began as a sketch on the back of a napkin in 2009 has blossomed into a worldwide collaborative project, touching thousands of lives across continents.

Growing up in diverse corners of the world, Kirstie’s early years were rich with contrasting cultures, colors, languages, and experiences. In her quest to make sense of her journey and shape her own identity, she turned to drawing, painting, and sewing as her language of expression.

Textiles were woven into the fabric of her upbringing. The women in Kirstie’s family were skilled stitchers, knitters, and makers, so it was only natural that she too would pick up needle and thread. She later earned a BA in Textile Design and an MA in Visual Language & Performance, launching her career as a fine artist in London. Her diverse portfolio spans photography, film, painting, drawing, and high-impact installations involving garments.

Embroidery soon became her focus. Kirstie was captivated by its diversity and potential for expression, communication, and even subversion. As she delved deeper, she discovered its rich history and practice around the world - as an art form, a part of daily life, and a meditative, healing practice. A pivotal moment came in 2002, when Kirstie traveled to southern India and spent hours stitching alongside Karnatakan Lambani women. Though they couldn’t speak the same language, they connected deeply through the shared act of stitching. Some of the embroideries from that trip now grace The Red Dress, honoring the seeds that inspired its creation.

The Red Dress began as an exploration of identity and a desire to connect with people across borders and boundaries. Over the years, it has evolved into a powerful vehicle for expression and a platform for voices to be heard. It has reached disparate communities worldwide, fostering connection and conversation among individuals who may never meet in person.

As the world continues to face war, oppression, violence, inequality, and extreme poverty, the message of The Red Dress is more vital than ever. It shows that what we can achieve together - in community and collaboration - is far more impactful than what we can do alone. By dismantling boundaries and borders, and coming together with compassion and humility, we can uplift and support one another, and hopefully build a better world for the next generation.



Kirstie is able to offer events and presentations with/without The Red Dress tailored to your group/community. Please email her for more info on:

reddressembroidery@gmail.com

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Kirstie has recently been elected as an Ambassador for the Textile Society “..for her sustained commitment to The Red Dress as a global community project, the outcome of which has become an icon of contemporary world textiles”.

The Textile Society is a  unique community and brilliant resource for all textile professionals and enthusiasts around the world. Please see:https://www.textilesociety.org.uk/ for more info.

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To view a selection of Kirstie’s own textile based art please see the website: www.kirstiemacleod.co.uk


OUR SUPPORTERS

A huge thank you to all who have given their time, energy, enthusiasm, advice, experience and support to The Red Dress project over the years.

In addition to the organisations below, funding has been gratefully received from a number of private donations and via three crowdfunding campaigns in 2020, 2022 and 2024.

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Nothing expresses more eloquently the feelings I suspect we share about the importance of embroidery in our lives, and the support we derive from the friendships made through stitch, than Kirstie Macleod’s Red Dress.
Caroline Zoob, Editor of Stitchers Journal 2022
This beautiful object highlights the common ground between individuals, bringing together different identities and uniting people, we are honoured to contribute to it.
Tiny Kox, PACE President at the Council of Europe, Strasbourg 2023
The Red Dress has become an icon of the international textile world.
Suzanne Smith, Textile Society 2022
The Red Dress in its final incarnation, a magnificent, regal robe, symbolises the empowerment of women through the creation of something beautiful, something which began with bowed heads and tired fingers but also with faith and joy, an openness and willingness to be a part of something which they could not see at that time but in which they could believe had meaning and worth connecting with other women around the world.
Lady Alison Myners, Chair of the Royal Academy Trust 2020
The Red Dress is in some respects similar to Mail Art, the populist artistic movement centred on sending small scale works through the postal service. It initially developed out of the Fluxus movement in the 1950s and 60s – but on a larger scale – the journey of the work is part of its identity, process, and in fact function. A signifier of the temporal and physical nature of the process inherent in the creation of the piece. The surface of the dress layered with embroidery slowly transforming into a specific topographical map – completely particular to the work’s journey – and reflective of the burgeoning sculptural landscape of the object.
Paul Black, Artlyst 2015
It’s her (Kirstie’s) red silk Dupion bodice and voluminous skirt created for the Red Dress that fully demonstrates her commitment to embroidery and the immense respect for the international community of makers.
Denna Jones. Embroidery Magazine 2010
...the fact that they could embroider what they wanted and that it is appreciated has given them some strength, some confidence that I didn’t feel so strongly before they created the embroideries.
Nicole Esselan, Founder of Kisany Africa, supporting artisans in DR CONGO and RWANDA who created embroidery on the Red Dress in 2018
This is both an extraordinary work of collective art and profound and eloquent social commentary. It is also an example of how potent the Attire language is capable of becoming.
Attires Mind (Fashion Blogger) 2020
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